Greatest Hits : Shining Like A National Guitar

November 20th, 2005

Greatest Hits : Shining Like A National Guitar
Artist: Paul Simon

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Nothing he has released since has matched the sales heights of Bridge Over Troubled Water, but the quality of Paul Simon’s solo work is undeniable–indeed it could be argued that the songwriter’s work post-Simon & Garfunkel has been even more rewarding aesthetically. Shining Like A National Guitar–the fourth compilation to be drawn from Simon’s eight solo albums–offers another welcome opportunity to appreciate this extraordinary career arc: tracing Simon’s fascinating musical odyssey from Jamaica’s “Mother & Child Reunion” and South Africa’s “Boy In The Bubble”, to Latin America’s “The Obvious Child”. Along the way, marvel at the articulate precision of Simon’s music–”Graceland”, “Hearts & Bones”, “Still Crazy After All These Years”, right up to the recent undervalued album of Capeman. He may not have been particularly prolific, but it’s possible to be dazzled afresh by the sheer brilliance of Paul Simon’s music. –Patrick Humphries



A PERFECT INTRO TO AN ARRAY OF TALENT
An excellent beginning for those buyers “just wondering” about adding Paul Simon to their c.d. collections. The age of the purchaser will determine as to whether they actually remember any of the “hits” on this collection, but this c.d.can serve as a perfect introduction, not only to the work of Mr. Simon but also to the fantastic musicians he has worked with over the years. Take note of the superb contributions by the African and Brazilian musicians involved, but do not overlook the brilliant contributions from Simon’s homeland. Ralph MacDonald, Anthony Jackson, Tony Levin, Mchael Brecker, Dean Parks,the late and much missed Richard Tee and Eric Gale, and, of course the legendary drum work of Steve Gadd.Best Tracks: Late In The Evening, Hearts and Bones, Graceland, Trailways Bus.BUY THIS ALBUM, BUY MORE PAUL SIMON,PICK A MUSICAN AT RANDOM…BUY THEIR SOLO C’D’s

A quality collection from a quality singer/songwriter.
This long overdue compilation of Paul Simon’s solo career, containing over 77 minutes of his very best music, has much to commend it. An interesting feature is the imaginative rather than chronological ordering of tracks which provides a sense of unity seldom apparent in ‘best of’ albums and sadly lacking in the earlier ‘Antholgy’. Good sleeve notes and the complete lyrics compliment an impressive package. The fact that no room has been found for the magnificent ‘Something So Right’ is a pity but no easy omissions could have been made from what is an outstanding collection. If you are already a fan this is still worth buying, especially if there are gaps in your Paul Simon CD collection. If you are new to Paul Simon’s work this is a real must. A quality compilation of the work of an outstanding talent.

The Misssisssipi Delta Still Gleaming After All These Years
This is a very acceptable compilation of Paul Simon’s solo career spanning both his years with Columbia Records and Warner Brothers who now have the rights to all his back catalogue.From the early days we have Me And Julio… up to the more recent Bernadette.Most fans will have these tracks on several albums already so it is difficult to see who this album is aimed at.Paul Simon solo and with Simon & Garfunkel has so many compilation albums available that they vastly outnmber his albums of original material.With the addition of digital remastering, few could fault this collection though the inclusion of Rene And Georgette Magritte And Their Dog is strange.I know few people who like this track which finds Paul at his most pretentious and dull.However, the rest of the album is great and a fine inroduction to the music of Paul Simon.Magic moment- Steve Gadd’s drumming on Fifty Ways To Leave Your Lover.

While My Guitar Gently Weeps III

November 20th, 2005

While My Guitar Gently Weeps III
Artist: Various Artists

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The Best Air Guitar Album in the World…Ever Vol.1

November 20th, 2005

The Best Air Guitar Album in the World…Ever Vol.1
Artist: Various Artists

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The Best Air Guitar Album in the World… Ever! should not be mistaken for a “greatest rock album ever” kind of affair as it would cause monumental arguments as to why it includes Robbie Williams but not Led Zeppelin. The songs chosen by Queen guitarist Brian May are all there because they make the fingers start flexing, the head to start banging, and force you to assume the imaginary position of a pouting rock guitarist on stage in front of thousands of screaming worshipers. The first disc kicks of with Queen’s heavy blues-rock anthem “Tie Your Mother Down” and ends with one of the most epic guitar solos ever recorded, Lynyrd Skynyrd’s “Freebird” which sadly appears as an abridged version. Highlights along the way are the brooding intro to Bowie’s “Rebel Rebel”, the Surfaris “Wipeout” and seminal guitar moment from beardy rock god Eric Clapton on “Layla”. Disc two has a few more inclusions from recent years with Robbie Williams’ storming “Let Me Entertain You”, Weezer’s “Hash Pipe” and Wheatus’s “Teenage Dirtbag” alongside such classics as Jimi Hendrix’s “Voodoo Chile” and Motorhead’s “Ace of Spades”. So in summary there’s no “Stairway” but plenty of guitar hooks, stabs and widdles to keep you prancing like Kiss while sounding like Beavis and Butthead. –Georgina Collins



Good… But should have been great
This idea has huge potential and these albums could have been a truly great compilation of songs with amazing riffs, solos and all air guitarists want. But there are serious problems.
My first major complaint is that all 3 albums are highly commercialised: Robbie Williams, Avril Lavigne, Blink 182 etc. are on these albums to make sure the younger generation are interested. Also there’s more than just rock on these albums; there’s pop, rap and hip-hop just to please as many people as possible. The reason why that’s annoying is that no pop or rap artists play the guitar, they just get some studio guy to do it.
Throughout the 3 albums there also seems to be a lack of variety, bands wise. There is too much Queen, Status Quo, Def Leppard, ZZ Top etc.. Another thing that annoys me is that Brian May’s arrogance makes it necessary for a Queen song to start each album and funnily enough the band with the most songs on these albums is…. Queen! What a surprise. There is also a lack of some truly great guitar players: Dave Mustaine, Steve Vai, Slash… ‘Sweet Child ‘O Mine’ has one of the greatest riffs ever and a wicked solo!
Enough of the dissing though. Some great songs are present and for most people these albums will have enough solos and riffs to keep you satisfied.

Rock on…
What a fantastic compliation. Maybe not the ‘Best Air Guitar’ album - there are some glaring omissions (Sweet Child of Mine? Anything by AC/DC?) but as a rock compilation is pretty darned good.

You have to wonder why Robbie Williams was included (well, spose it gets the kiddies interested…) but, man, it’s worth it for the sleeve notes alone. Brian May - I’m seeing you in a new light, dude.

not bad but should be better
its still worth buying i suppose, its got some classic songs like smoke on the water, bohemian rhapsody, and apache. Although some songs shouldnt be on this, like robbie williams let me entertain you, personally i like the song but it still shouldnt be on a guitar album. The other problem is that Lynyrd Skynyrds freebird is cut short by about 5 mins and sounds wrong as it has been cut up and glued back together. Derek and the dominoes only number 1 is cut short aswell leaving it half a song, i know the rest of the song is on a piano but it makes the song complete.

Guitar Legends

November 20th, 2005

Guitar Legends
Artist: Various Artists

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Not all guitar legends but……
This is a brilliant, eclectic mix of guitar based songs. OK they are not all legends and OK there are some standards not included BUT that is the beauty of it. Don’t read the track list and just play it and you will be continually suprised and delighted at what you hear. Robert Cray followed by Johnny Kidd & the Pirates. Howlin’ Wolf followed by Steppenwolf, Bonnie Raitt by Mayall. I bought this for my teenage son who is learning to play guitar - he loves it but he can’t get it out of my machine. Buy it today and smile for the next month!

A great buy
This CD is one of the best compilations I have ever bought. It has a great selection of music, the best selection of music in the world. It includes (which is great) some great songs I had not heard of before aswell. I think anybody undecided on whether or not to buy this album should get their card out and purchase immediatly.

Guitar Legends!?!?!?
An interesting compliation, however one has to ask… GUITAR legends? Ok, theres a fair bit of Clapton on here, but where are the biggest guitar legends of the last 30 years; Jimmy Page, David Gilmour, Mark Knopfler… And how can one place tracks like Layla and Johnny B. Goode alongside Status Quo!? The Kinks… good band, not “guitar legends”. There’s not even the original version of Walk This Way. Some very legendary songs, but few can be called “guitar legends”. If one could place two of Gary Moore’s songs and two or three Eric Clapton appearances in here, could there not have been made space for some proper guitar tracks. Any album claiming to be legendary but lacking Led Zeppelin should be instantaneously disregarded. The inclusion of Status Quo and Rainbow instantly disqualify this album from the “ultimate music” category. Perhaps if they changed the name of this album to “Some good songs” or “Guitar Legends and Others” it would get 4 stars. Jessica is a good choice however. This could have been condensed into one disk of incredibly good music and sold £3 cheaper.

Spanish Guitar Music

November 20th, 2005

Spanish Guitar Music
Artist: Various Artists

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overkill
I bought this because I like the sound of the spanish guitar and I thought a whole CD of it would make for a plesant hour of music-listening. It is exactly that and there is no denying the intricate skills of the performers. But unless you are a real boffin or anaorak on this type of music, this may just come across as a little indistinguished. There are two CDs and although the sounds are relaxing and pleasant, to my untuned ear there is little difference between any two tracks on either CD - it’s like listening to two hours of one song. Thankfully that’s a very good song, although there is no singing, but this is certainly not remakable. Good value at its price but I would suggest others like me buy something with half as much content.

Yes, it’s the real thing!
Three very different styles of Spanish guitar and all magnificent! Andres Segovia provides music to dream to. Carlos Montoya makes you want to stamp your feet, click your fingers, clap your hands and shout Ole! And Paco de Lucia hypnotises you into believing you could manage one of those sultry looking dances in the big swishy frocks (well, not if you’re a chap - but you know what I mean).

Only one little problem marred the Segovia section. Some poor soul in the audience had a nasty cough and must have been suffering horribly trying to keep it in and having occasional unavoidable eruptions. It isn’t too noticeable unless you really concentrate on the music though.

3 legendary players. True Spanish magic!
This edition includes 3 monumental players - Andres Segovia for Classical, Carlos Montoya for (older style) Flamenco, and Pcao de Lucia for (newer style) Flamenco. The Segovia recordings are live in concert, i believe in his late years. The performances are full of life, particualry Albeniz’ ‘Sevilla’ - i just wish i was at that concert! Paco de Lucia offers beautiful pieces, which are often Classical, in a Flamenco style. The highlight however is the ferocious and passionte Montoya! These roughly recorded old numbers are absolute legends. His playing burns with emotion, and the lighting speeds cannot be ignored! I disagree with those who believe Carlos was ‘naive’, or a ’show-off’ - his music is true Spanish folklore, absolutely from the heart.

While My Guitar Gently Weeps Vol.2

November 20th, 2005

While My Guitar Gently Weeps Vol.2
Artist: Various Artists

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same again please
another gorgeous installment of classic guitar songs. it keeps many of the artists from the first cd, which in my oppioion is not a bad thing. The cd is packed with tons of famous songs and a few that are not as big but your left wondering why they weren’t. a great gift for dads all over the country or, in fact anyone who knows good music when they hear it! a must buy for any classic rock fan or fan of While My Guitar Gently Weeps 1.

While My Guitar Gently Weeps

November 20th, 2005

While My Guitar Gently Weeps
Artist: Various Artists

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Eclectic and indifferent
Wile several tracks on this album are excellent examples of guitar work, most are not. It is an eclectic mixture spanning several popular styles, but most of the ‘classic’ guitar tracks are from the world of heavy rock. As a fan of that style, it’s rather nice to see such tracks being included, but there are much better examples than many of those exampled here… I’m wondering why there is nothing from Deep Purple, for example, or Steppenwolf? Where are The Rolling Stones, who certainly knew how to put a great R&B riff together. Why is there nothing from the world of country in this collection? John Denver could make an acoustic guitar sing, Joni Mitchel’s Big Yellow Taxi is absent yet is one of the liveliest pieces of acoustic work on record, and Bachmann Turner Overdrive’s You Ain’t Seen Nothin’ Yet is noticeable by its absence.

So it’s a strange and limited mixture of tracks with no real theme to hold it together, despite its title. And if you’re going to call an album While My Guitar Gently Weeps, at least the title track should be by the late, great George Harrison himself (even if Eric Clapton did play it on the recording).

Footnote: it’s JOHN Lodge with Justin Hayward on Blue Guitar..

If you like guitars, buy this!
What an absolutely stunning album. Not a single track that I didn’t like. Never before has so much guitar playing talent been assembled on one album, its just a shame they missed Hank Marvin off. With a Fender Strat (admittedly cream in colour not Fiesta Red) on the cover you almost expect something from the great man himself or The Shadows!?! Other than that minor gripe the only other flaw in my opinion is the inclusion of Texas’ ‘I don’t want a lover’. Don’t get me wrong, I like Texas a lot (I’ve got several of their albums) but this track just doesn’t seem to fit in the playlist. Can’t help but think it should have been ‘Wondeful Land’ or ‘Apache’ in there. No input from Brian May or Status Quo either but I guess the mood is more chilled out than they would cater for. Still, don’t let this stop you from buying what is a magnificent collection of tunes. Stand out tracks for me are Santana’s ‘Samba Pa Ti’, Peter Frampton’s ‘Show Me The Way’, Robert Plant’s ‘Big Log’, Lynyrd Skynyrd’s ‘Sweet Home Alabama’, Boston’s ‘More Than A Feeling’ (the reason I bought the album!) and J.J.Cale’s ‘Cocaine’. Amazingly I had only heard one of these tracks before - honest! I did recognise around half of the album. Seriously, if you want to drift off with purely magical tones and riffs this is where it’s at - buy it, you won’t be dissapointed if you’ve bothered to read all through this! I’m so inspired, I’m off to buy a guitar.

Shines Silently
What, “While My Guitar…” without George Harrison? The answer is a resounding YES as Jeff Healey’s version is far superior to all other versions of this song I have heard, including the original.

As for the rest of the album, it’s a bluesier collection than most compilations, featuring corkers by Prince, Big Country and Dire Straits. It has a lot more soul than most collections and in my opinion is perfect for night time listening. Yes, there are omissions (such as Stevie Ray Vaughan and Albert King), but songs by Robert Cray, JJ Cale and Snowy White more than make up for what’s not there.

I personally recommend it whole-heartedly.

The Guitar Trio

November 20th, 2005

The Guitar Trio
Artist: De Lucia/Mclaughlin/Di Meola

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A more mature approach achieving the same brilliance
To me ‘The Guitar Trio’ (the second studio album by McLaughlin, di Meola, and de Lucia) contains the ‘Grace’ that was lacking in ‘Passion Grace & Fire’ which was released some 13 years earlier. One can tell that a great deal of thought went into each track and as a result we are rewarded with a far more mature approach from the Trio which concentrates on the melodies and harmonies that are possible with acoustic guitars.

Of course the technical ability is still astounding, but there is less of an emphasis upon this aspect of the music and after a number of listens one appreciates the underlying simplicity of many of the tracks. Of all 3 albums by the trio this is the one that I find I can listen to straight through from beginning to end, over and over again without tiring of, and without wishing that certain tracks had been omitted.

A superb album, highly recommended to anyone with even a passing interest in acoustic guitar music.

The passion lives on
This is the latest in a series of recordings by three of the leading guitarists of their generation. It is a more substantial offering than the previous two, running at over 53 minutes, with 9 tracks in all. Two are written by De Lucia, with three-a-piece by McLaughlin and DiMeola. The music displays the fire and grace which we have come to expect from this trio, but there is also a sense that both the writing and playing of the trio have become a little less frantic and more focussed than on previous occasions.And, dare I say it, more melodic. When the listener has got over the awe inspired by the sheer technical mastery that each of these players has of his instrument, one is left with the simple beauty of the music. It was considered hip in the days of punk (itself nearly thirty years old) to refer to music of this kind as ’self indulgent’, ‘irrelevant’ and worse. Anyone who categorises this music in that way is doing each and every one of us a disservice. This is pure music. Three men and three acoustic guitars, what could be simpler. The one standard’ on the album, Manha De Carnaval (credited here to Luis Bonfefa but elsewhere to Luis Bonfa)is a beautifully relaxed rendition which remains faithful to the spirit of the original theme yet allows the soloists (DiMeola and McLaughlin) room to breathe. The original tunes each reflect the clear identities of their composers; afficianados would have no difficulty identifying the composer of each tune without consulting the detailed notes which accompany the cd. In my experience, repeated listening to this recording is llkely to reveal new vistas each time and your favourites are likely to change as you travel deeper into the music but I guarntee you will never become bored. The recording quality is even better than both the original recordings and remastered versions of ‘Friday Night in San Francisco (’81)’ and ‘Passion Grace and Fire (’83) with clear and consistent definition between each of the three players. Whether this is a result of 13 years of advancements in recording technology or not is academic. The results are a sound for sore ears. In short, if you are a fan of this trio, or of any or all of the players involved, I would urge you to invest in this recording. I still listen to the previous two recording 18 or more years after purchasing them when they were first released. The many hours of listening pleasure you will have with ‘The Guitar Trio’ will make this a valued investment.

King of the Blues Guitar

November 20th, 2005

King of the Blues Guitar
Artist: Albert King

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These 17 tunes come from King’s most fertile period, his 1966-68 tenure at Memphis’s Stax Records. Stax chief Jim Stewart had been reluctant to sign blues artists because he felt straight blues wouldn’t mesh with Stax’s patented Memphis soul. Ironically, the fusion of King’s sharp guitar wails with the dynamic rhythms of Booker T. & the MGs–the Stax house band–was what set King apart from other bluesmen. The unique blend produced classic after classic: Booker T. Jones’ rolling piano propels “Laundromat Blues”. Al Jackson’s drum shuffle supports “Crosscut Saw”. The driving horns of Andrew Love, Wayne Jackson and Joe Arnold accentuate “Born Under a Bad Sign”. King’s ripe and mellow vocals are a perfect match for the soul-drenched music while his dramatic string bends leap out. –Marc Greilsamer



terrible sound
The music we can hear on this cd does not deserve this terrible remastering presented here. The sound is unclear, dark and blurred. Some tracks also contain clicks and pops which (at least where I come from) makes the cd technically incorrect. So in spite of the great songs selection, I am forced to rate this item three stars only. If I wanted to listen to click and pops, I would keep my old record player and listen on the vinyl. These are the kind of clicks that I can remove, so I don’t know how nobody heard that (assuming that there IS someone who’s checking the final product). And then they wonder why people “burn” CDs!!?

Yes indeed!
This is an excellent overview of Albert King’s beginning days with Stax Records and house band Booker T. & the MGs, along with The Memphis Horns. What this offers is the entire landmark Born Under a Bad Sign album which is considered by many to be the definitive urban Blues album. Atlantic packaged that album with some bonus material that is just as great.

King was without a doubt the most prolific Blues guitarist of his generation, and his sound spawned more imitators than even B.B. King. The remastered Rhino CD The Very Best of Albert King is the place to go to get the full effect of Albert’s Blues power. His guitar doesn’t stand out here near as much, but this is really a showcase for not only King’s soulful string bending, but for the MGs’ superior ensemble playing. It took the greatest Soul band in the world to be the most perfect band any Blues singer could ask for. Multi-instrumentalist Booker T. Jones will dazzle the listener with the most impressive technically and stylistically Blues piano work I’ve ever heard. And with King’s producer and drummer Al Jackson, Jr. leading the way, these are some of the greatest records ever made - whatever the genre’.

“If you don’t dig this, you got a hole in your soul!”
I honestly cannot believe that possible sexist lyrics on a blues album is a cause for concern. In any case, most of the time it’s poor Albert getting the blues from mean, mistreatin’ women. (In Laundromat Blues his woman is meeting her lover at the local laundromat - women eh?)

From top to bottom this album is a delight - there isn’t a single slack moment on this record. Albert’s singing (especially on “The Very Thought of You”) is as sweet as a choir of angels, his guitar as dirty and funky as Hell itself. Add in Booker T and the MGs (just listen to Al Jackson Jr an “Cold Feet” - stunning)and you have one of the greatest blues compilations in existence.

Charles Shaar Murray in his book “Blues on CD” said that if he were rating CDs on a five star basis then this album would get a six. It is truly indispensable for anyone with even a passing interest in the blues.

The Best of the Best Air Guitar Albums in the World…Ever

November 20th, 2005

The Best of the Best Air Guitar Albums in the World…Ever
Artist: Various Artists

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